In solidarity with the Iranian women / Kostrena, Croatia / May 2005
Bread as an edible plate: pizza on the boardwalk at the Olympic Flame Restaurant / Wildwood, NJ / June 2008
You are also the “in croûte” around my potatoes; Another recipe for hard times: Pommes de terre Boulangères in croûte
(“Baker's Wife” Potatoes in a Pastry Crust) — looks fancy but is filled
with potatoes and onions; this was fun to make as it uses puff pastry
and smelled fragrant and exotic while baking / June 2009
... thinking of the elections being held in Iran today and hoping that the Iranian women can gain more freedoms ...
Bruno's circle drawings / Design As Art
"If the square is bound up with man and his works, with architecture, harmonious structures, writing and so on, the circle is related to the divine. The circle has always represented and still represents eternity, with no beginning and no end. An ancient text says that God is a circle whose centre is everywhere and whose circumference is nowhere.
The circle is an essentially unstable, dynamic figure. From it arise all rotating things, and all vain efforts to produce perpetual motion."
~ from Design As Art by Bruno Munari
The Hard Luck Pound Cake / New Jersey / June 2009
Last week I went to see the doctor. On the way I heard the radio talking about how if Woody Guthrie were around he wouldn't be writing songs about “the economy” but rather how “times are hard” or these are “hard times.” My doctor asked about business and I said, oh, a bit slow — it's the economy I guess (in my head I thought “hard times”). He said that with the exception of one man (who sold some sort of internet-connection widget), all his patients talked about business being off, losing their jobs, losing their health insurance, etc. Driving home I got it in my head that I needed to make a pound cake (partially attributed, I am sure, to the weakness that comes after getting my blood drawn). I found a recipe for a swirled pound cake —the dark and light mixed together, kind of like life — and made a few “hard times” adjustments. The recipe called for 1 cup of butter; I substituted canola oil for half of the butter (butter is expensive and has more health-problem fat). The recipe called for 2 cups of white sugar; I substituted dark brown sugar for half of the sugar (dark brown sugar seems like the poorer relation to white sugar). The recipe called for 2 teaspoons of vanilla extract; all I had was a drop (I protest buying vanilla extract because it costs so much and I can never taste it in what I bake). The recipe called for a cup of milk and I had none; I substituted a cup of Paulo's Half-and-Half (it was in the refrigerator and is a little hidden richness to add comfort). The cake was wonderful — hard luck doesn't feel so bad with a good piece of cake. (Full recipe after the jump.)
More of Bruno's wonderful chairs / from Design As Art by Bruno Munari / the Munari Principle: lucidity, leanness, exactitude and humor
And when we are there we need some place to sit down / Bruno's chair sketches
Paulo sees flowers growing in the microwave oven / New Jersey / May 2009
The ease of the backyard garden and the deep brilliance of spring blooms / New Jersey / May 2009
Pap's bird house with nest / Mountain House / Sept. 2000
Carving above a door in / Ljubljana, Slovenia / May 2005
New curtains brighten the front room as late afternoon sunlight (fabric is Volumes and Plumes by Anna Maria Horner) / April 2009
A fabric patch adds style to a dull bag (Anna Marie Horner's Drawing Room line of heavy-weight cotton; Pressed Flowers in Rose) / May 2009
Dusk in Anita's magic garden with the Manneken Pis fountain / New Jersey / April 2009
ink not ink exhibit of Chinese contemporary ink painting; the building was designed by Frank Furness as the Centennial National Bank building (circa 1876), it is now the Paul Peck Alumni Center at Drexel University / Philadelphia, PA / May 2009
Fashion City by Nan Xi, 2008, ink on pape / ink not ink exhibit
Nan Xi composes his art using fading ink dots -- similar to a faxed or newspaper photo with many round dots -- and the techniques of broken-ink, accumulate-ink, stained-ink, and washed-ink.
He has "created a metaphor-featured painting mystery close to history and reality. The intention and value of the original images has been doubtlessly disrupted to a large extent and provoked brand-new reflection and questions. Therefore, his recent works always give people various thoughts -- it is certainly not easy to achieve."
"Nan Xi brought us great inspirations. Under the circumstances of digital age, when somebody considers the wash and ink media insignificant and no longer coordinated with the colorful and volatile new life, and have to develop towards abstract ink and wash, he has not only persisted in seeking the new possibilities for this traditional media, but also creatively endowed it with new cultural attributes and mode of expression."
~ Lu Hong writing about the works of Nan Xi
Detail from The Night, III, ink on paper, 2008 by Wu Yi; part of the ink not ink exhibit
Detail from a work by Li Jin; ink on paper
Anton's Prayer book in Croatian that traveled across the sea to America and then back to Croatia / Published in 1902
Irma didn’t want my Dad to take her picture so she grabbed her skirt and pulled it up over her head while Christine and I watched. I’ve never forgotten the moment or the picture. [Happy 90th birthday Irma] / Ricketts Glen, PA / August 1964
So many memories; some lost; some recalled; new ones made; maybe exact memories cannot be recalled but their remnants remain, feelings that glisten like jewels / New Jersey / 2009
A look back at a wintry scene on this first day of spring (it actually sleeted for a while this afternoon) / Northeast PA / Feb. 2009
I placed an online order for a CD with CD Baby.com and received a reply that made me laugh out loud. I don't know if they did this just for me ... but it is, without a doubt, the best "we are shipping your item" email that has graced my In Box:
Two of the things that make us human: work (technology creates new paradigms for where and how we can work) and creativity (creativity feeds on itself . . . the fabric for new curtains waits patiently to be sewn) / New Jersey / Feb. 2009
Out my office window in the AM / February 2009
Notorious Non-cooperative Knitting / bag before felting / Feb. 2006
... as a poet I must refuse to cooperate with the committee on what I can only call esthetic* grounds. The view of life which we receive through the great works of art is a privileged one — it is a view of life according to probability or necessity, not subject to the chance and accident of our real world and therefore in a sense truer than the life we see lived all around us. I believe that one of the things required of us is to try to give life an esthetic ground, to give it some of the pattern and beauty of art. I have tried as best I can to do this with my own life, and while I do not claim any very great success, it would be anti-climactic, destructive of the pattern of my life, if I were to cooperate with the committee. Then too, poets have been notorious non-cooperators where committees of this sort are concerned. As a traditionalist, I would prefer to take my stand with Marvell, Blake, Shelley and Garcia Lorca rather than with innovators like Mr. Jackson. I do not wish to bring dishonor upon my tribe.”
~ Thomas McGrath's Statement to the House Committee on Un-American Activities (HUAC)
* esthetic: a philosophical theory as to what is beautiful
I take with me a taste of earth / Feb. 2009